The second CRAACE conference, ‘Multiplying Modernity: Vernacular Modernisms, Nostalgia and the Avant-Garde’, took place in the East Slovak Gallery, Košice, from 6 to 7 December 2019 and examined the roles of folk art, the vernacular and regionalism in interwar East/Central European modernism. The conference programme can be accessed here.
Our workshop Multiplying Modernity: Vernacular Modernisms, Nostalgia and the Avant-Garde will take place in Košice on 6 and 7 December 2019.
The schedule which includes the names of the speakers and titles of their papers can be downloaded here: Multiplying Modernity Workshop Schedule
The workshop is free to attend, but you need to register. Click here for the registration form.
Vernacular modernisms, nostalgia and the avant-garde
CRAACE workshop, 6–7 December 2019
East Slovak Gallery, Košice (Slovakia)
In the decades before 1918 there was a vibrant debate over the nature of ‘national art’ in Central Europe. For many this was embodied in folk art and culture. By 1914, this idea was increasingly challenged by avant-garde interests in the metropolis. After the War, however, a return to folk art and regionalism was revisited and gained increasing importance in the decades leading up the Second World War. Within a broad artistic landscape, folk art and culture was used to search for a fundamental essence of human culture, as in the case of the Hungarian painters Lajos Vajda and Dezső Korniss; to create a ‘national style’ with reinterpretations of folk art, as in 1920s Czechoslovakia; and to seek renewal outside a lost imperial capital, like in Austria.