CFP: Future Prospects for Art History in Central Europe: Questions, Methods, Topics

CALL FOR PAPERS

Future Prospects for Art History in Central Europe: Questions, Methods, Topics

A workshop organised at Masaryk University, Faculty of Arts, Department of Art History

 on 17-18 June 2020

 What are the most prominent and important issues motivating art historians in east-central Europe at present? Are they methodological? Political? Thematic? Curatorial / museological? Conceptual? Or are they to do with debates relating to a particular period or geographical question?

This workshop is intended to provide a forum for considering answers to that question and for an assessment of the current state of art history in east-central Europe. Its aim, too, is to identify one or more potential projects that might give art historical practice in east-central Europe a higher profile and underpin an application for a European Research Council synergy grant (https://erc.europa.eu/funding/synergy-grants).

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CFP: Multiplying Modernity: Vernacular modernisms, nostalgia and the avant-garde

Multiplying Modernity

Vernacular modernisms, nostalgia and the avant-garde

CRAACE workshop, 67 December 2019

East Slovak Gallery, Košice (Slovakia)

In the decades before 1918 there was a vibrant debate over the nature of ‘national art’ in Central Europe. For many this was embodied in folk art and culture. By 1914, this idea was increasingly challenged by avant-garde interests in the metropolis. After the War, however, a return to folk art and regionalism was revisited and gained increasing importance in the decades leading up the Second World War. Within a broad artistic landscape, folk art and culture was used to search for a fundamental essence of human culture, as in the case of the Hungarian painters Lajos Vajda and Dezső Korniss; to create a ‘national style’ with reinterpretations of folk art, as in 1920s Czechoslovakia; and to seek renewal outside a lost imperial capital, like in Austria.

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