We are pleased to announce that Professor Megan Brandow-Faller (City University of New York) and CRAACE research fellow Julia Secklehner have been awarded an events grant from the Botstiber Foundation for Creativity from Vienna to the World, an online project that includes lectures, a blog and an online exhibition. The project connects aspects of design and women’s history, pedagogy, migration history and cultural transfer to trace the achievements of migrant women designers who moved to the United States from Central Europe in the first half of the twentieth century.
The CRAACE conference Exhibitions, New Nations and the Human Factor, 1873–1939 took place at the Institut national d’histoire de l’art in Paris on 4–5 April 2022. Focusing on world’s fairs and international exhibitions, it looked beyond their official, state-sponsored aims and considered the role of individuals and groups in them. Who were the people who organised them, designed them, worked in them and visited them? The conference placed agency at the heart of the discussion. To what extent did those involved adhere to or challenge the ostensible purpose of these events?
For those who missed the conference or would like to revisit the talks, we will make recordings of the individual sessions available on Youtube for a limited time. The sessions will be posted below on this page one by one as they become available, so watch this space.
CALL FOR PAPERS
Exhibitions, new nations and the human factor, 1873–1939
CRAACE symposium, 4–5 April 2022
Institut national d’histoire de l’art, Paris
Keynote speaker: Professor Mary Pepchinski, Technical University Dresden
It is widely recognised that new political entities that came to existence as nation states from the end of the nineteenth century sought to legitimise their identities externally through participation at world’s fairs and internally through consolidation of their national collections in museums and galleries of art and design. While the official motivations and presentations have been examined quite thoroughly, the agency of many individuals involved in different stages of exhibition design has been overlooked.
This symposium aims to explore the relations – including discrepancies – between the official narratives of exhibitions, as devised by the organisers, and the narratives by individuals whose participation helped to construct the meaning and content of the exhibits. By this, the discussion moves away from the focus on the state apparatus and official ideologies towards the people who designed the national presentations, worked in them and visited them. Our main focus is on how exhibitions were used to consolidate new political identities. The period covered by the symposium begins with the Vienna World Fair of 1873 and concludes with the outbreak of the Second World War. It saw important changes in political and geographical circumstances globally, with the creation and recreation of, for instance, Romania, Turkey, Egypt, Czechoslovakia, Austria and Hungary.
The second keynote lecture of our workshop Modernity and Religion in Central European Art and Architecture will take place at
18.00 CET on 13 May 2021
Elizabeth Otto (State University of New York at Buffalo)
Bauhaus Occult: Experimental Spirituality in the Home of Rational Modernism
Session 4 of our workshop Modernity and Religion in Central European Art and Architecture will take place at
18.00 CET on 1 April 2021
Mária Orišková (Trnava University)