Edited by Megan Brandow-Faller and Laura Morowitz, Erasures and Eradications in Modern Viennese Art, Architecture and Design is a collection of essays that challenge the received narrative on the artists, exhibitions, and interpretations of Viennese modernism. CRAACE team members Matthew Rampley and Julia Secklehner are among the contributors.
Built in 1928 on one of the slopes of Zlín’s hilly and quite bare landscape, the family home of Berty and Fanuška Ženatý became known as The American House. It was a replica of a house that the couple owned in the United States, where they had lived and worked for a few years. The villa was rebuilt in the new location upon the wish of the manufacturer Tomáš Baťa (1876–1932) for whom it was meant to serve as a model house that could be easily replicated for the employees of his factories.
In the western outskirts of the provincial Moravian town of Tasov lies a picturesque three-storey house, set back from the road and distinguished from the surrounding buildings on a separate plot of land surrounded on all sides by greenery. It is not a very remarkable house, but it is noticeable because it is in a slightly elevated position and because the rest of the lane where it is situated is populated by modest single-storey cottages. Further enquiry reveals that it is the former house of the poet and writer Jakub Deml (1878–1961). Built in 1921–22, it is listed by the National Monument Institute as a protected cultural monument (registry no. ÚSKP 15415/7-3089). The house is listed, one assumes, less because of the significance of the design and rather more because its owner was one of the most prominent Czech authors of the first half of the twentieth century.
The history of architecture is littered with designers who, for various reasons, have disappeared from the record or have remained on the margins. One of the unfortunate architects to have suffered this fate was Bedřich Feuerstein (1892–1936), who is known primarily for the crematorium he designed in Nymburk. The exhibition of his work now at the Technical Museum in Prague is a welcome and long overdue event. The curator, Helena Čapková, has already published a book on Feuerstein’s work, and this exhibition is a crystallisation as well as a development of her earlier research on him.
An article by CRAACE Principal Investigator Matthew Rampley, ‘Modernism and Cultural Politics in Inter-war Austria: The Case of Clemens Holzmeister,’ has just been published in the journal Architectural History.