In the nineteenth century, museums of design, industry and the applied arts were intimately connected to ideas about economic, social and industrial progress. Hence, their position in the museum landscape of the time was markedly different from that of museums of fine art. Liberalism, Nationalism and Design Reform: Museums of Design, Industry and the Applied Arts, a new book by Matthew Rampley, Markian Prokopovych and Nóra Veszprémi explores the expectations these institutions faced in the first decades of their existence, as well as their impact. It is shaped by two broad concerns: the role of liberalism as a political, cultural and economic ideology motivating the museums’ foundation, and their engagement with the politics of imperial, national and regional identity of the late Habsburg Empire.
