In the nineteenth century, museums of design, industry and the applied arts were intimately connected to ideas about economic, social and industrial progress. Hence, their position in the museum landscape of the time was markedly different from that of museums of fine art. Liberalism, Nationalism and Design Reform: Museums of Design, Industry and the Applied Arts, a new book by Matthew Rampley, Markian Prokopovych and Nóra Veszprémi explores the expectations these institutions faced in the first decades of their existence, as well as their impact. It is shaped by two broad concerns: the role of liberalism as a political, cultural and economic ideology motivating the museums’ foundation, and their engagement with the politics of imperial, national and regional identity of the late Habsburg Empire.
What social and political role did modern art and art criticism play in the Czech lands during the first half of the twentieth century? Marta Filipová’s new book (Routledge 2019) assesses this question with close analysis of five themes (Modernism, The People, Society, Identity, Traditions), which show just how closely the construction of modern Czech art was intertwined with national, social and political interests. By considering Czech art writing and criticism across a timespan leading from the Czechoslavic Ethnographic Exhibition of 1895 until the Second World War, the book highlights the central role of Czech national identity in the formulation of Czech modern art and, in turn, the ways in which Czech art and artistic discourse sought to confirm and redevelop national identity.