Rampley, Prokopovych and Veszprémi, The Museum Age in Austria-Hungary

New book: The Museum Age in Austria-Hungary by Matthew Rampley, Markian Prokopovych and Nóra Veszprémi

The Museum Age in Austria-Hungary: Art and Empire in the Long Nineteenth Century, a new book by Matthew Rampley (CRAACE), Markian Prokopovych (Durham University) and Nóra Veszprémi (CRAACE), has just been published by Penn State University Press.

From the publisher:

‘This important critical study of the history of public art museums in Austria-Hungary explores their place in the wider history of European museums and collecting, their role as public institutions, and their involvement in the complex cultural politics of the Habsburg Empire.

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Book announcement: Liberalism, Nationalism and Design Reform in the Habsburg Empire by Matthew Rampley, Markian Prokopovych and Nóra Veszprémi

In the nineteenth century, museums of design, industry and the applied arts were intimately connected to ideas about economic, social and industrial progress. Hence, their position in the museum landscape of the time was markedly different from that of museums of fine art. Liberalism, Nationalism and Design Reform in the Habsburg Empire: Museums of Design, Industry and the Applied Arts, a new book by Matthew Rampley, Markian Prokopovych and Nóra Veszprémi explores the expectations these institutions faced in the first decades of their existence, as well as their impact. It is shaped by two broad concerns: the role of liberalism as a political, cultural and economic ideology motivating the museums’ foundation, and their engagement with the politics of imperial, national and regional identity of the late Habsburg Empire.

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Conference report: In the Shadow of the Habsburg Empire?

The first CRAACE conference, ‘In the Shadow of the Habsburg Empire? Art and Architecture in Interwar Central Europe’, took place in the Moravian Gallery, Brno, from 12 to 14 September 2019. With three keynote speakers, five sessions and fifteen papers, the event explored the topic of continuities and ruptures in post-Habsburg Central European art history from several angles, sparking many engaging discussions. This brief report below can only highlight a few of the wider topics that emerged in the course of the three days. (The conference programme can be accessed here.)

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In the Shadow of the Habsburg Empire? Conference Schedule and Information

 

Our conference In the Shadow of the Habsburg Empire: Art and Architecture in Interwar Central Europe will take place in Brno from 12 to 14 September 2019.

The schedule which includes the names of the speakers and titles of their papers can be downloaded here: In the Shadow of the Habsburg Empire Conference Schedule

The conference is free to attend, but you need to register. Click here for the registration form.

 

Some practical information:

Conference venue

The conference takes place at the Governor’s Palace of the Moravian Gallery in Moravské náměstí 1.

Directions

Brno has an international airport but you may find better connections from Vienna, Prague and Bratislava. All are linked to Brno via coach (direct coach from Vienna airport) and train. Please note that if you arrive in Brno by train, you will need to get off at “Dolní nádraží” as the main station is closed for reconstruction.

Getting around Brno is easy by public transport (trams, buses, trolley buses) as well as on foot.

Accommodation

Some hotels near the conference venue:

Hotel Continental, from 68 EUR per night

Hotel Slavia from 80 EUR per night

Hotel International  from 78 EUR per night

Hotel Grandezza from 140EUR per night

Grand Hotel Brno from 120EUR per night

Hotel Barceló from 104 EUR per night

Brno guides

There’s an introductory article in the Independent outlining the main sights, while more substantial guides are provided by the Brno Tourist office. The guide to functionalist architecture in Brno is also a useful start for any modernism enthusiast.

Rupture and Continuity: The Fate of the Habsburg Inheritance after 1918

At CRAACE, we analyse the transformations and continuities in Central European art and architecture after 1918. Bearing a similar title, a current exhibition on the Habsburg inheritance at Vienna’s Imperial Furniture Collection makes a related effort. It focuses on imperial property and its history after the collapse of the Habsburg Empire. Who owned which parts of Habsburg property? What happened to the imperial household after 1918? And what is its legacy? These are the big questions that Rupture and Continuity, an exhibition organised at the Imperial Furniture Collection in Vienna aims to answer.

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