In 1984 the Czech Institute of Art History commenced publication of a multi-volume history of Czech art from prehistory to the present. It was a massive undertaking, a comprehensive survey that was not completed until 2007, when the final two volumes on art since 1958 appeared. It represented a particular central European tradition in academic publishing, but as with many other such projects, its drawbacks were all too evident. During the 23 years of its gestation, art historical methods had changed considerably, especially given the ideological shifts brought about by the collapse of Communism. In addition, the break-up of Czechoslovakia in 1993 meant that the meaning of ‘Czech art’ was no longer the same, and the later volumes could be seen as part of the self-redefinition of the new Czech Republic. Despite such caveats, it was still a major work of reference, but it was hampered by one single factor: it was only published in Czech. For linguistic reasons alone, therefore, its potential impact was limited.