A detail camera shot examines rubber being mixed and moulded by heavy machinery. ‘Finished. You’re beautiful. Alas, it took me a while but you have been made properly.’ A young man sings as he is taking a rubber tyre off the machine. Walking through the factory yard and wheeling the tyre alongside, he carries on: ‘And now, off you go on your own, find your master and serve him well, I’m telling you.’ The camera focuses on the tyre with large lettering that reads Baťa and Superb. ‘It’s no easy task as every one of your masters entrusts his life to you,’ the young man warns. And as he starts running with the tyre over a field and down the road leading away from the factory, he cheers up.
In October 2018, as part of the centenary celebrations of the founding of Czechoslovakia, the Gallery of Modern Art in the Veletržní palác (Trade Fair Palace) in Prague, a constituent part of the National Gallery, rehung its collection of early twentieth-century Czech art. In the place of a chronological arrangement covering the period from 1900 to 1930 is a more thematic display, with the title 1918-1938: The First Czechoslovak Republic. Originally intended to mark a particular moment, it has become a semi-permanent display; hence, a year after its unveiling, it merits a second look.