This striking ceramic head, nearly 28 centimetres in height, depicts a young woman wearing a slanted fashionable cap, counter-posed with a green flower in her hair. It was executed by Vally Wieselthier (1895–1945) and is one of many female heads she produced for the Wiener Werkstätte in the late 1920s. Indeed, not only did Wieselthier produce distinctive ceramic heads of this kind; many other artists associated with the Wiener Werkstätte, such as Gudrun Baudisch (1907–1982), Hertha Bucher (1898–1960) and Erna Kopriva (1894–1984) made similar heads. Baudisch, in particular, executed a number that are sometimes difficult to distinguish from those by Wieselthier.
What would an exhibition look like that exclusively acknowledged women’s contributions to modern design? A possible answer to this question can currently be found at the Museum of Applied Arts (MAK) in Vienna, where Women Artists of the Wiener Werkstätte puts the work of the Viennese Workshops (Wiener Werkstätte, WW) design company’s female artists and designers in focus. It is the first large show at the MAK since its reopening after the lockdown, having had to be postponed for over six months. The accompanying publication Women Artists of the Wiener Werkstätte, was already published in 2020, offering an introduction to topics such as toy design, ceramics and training in thematic essays, as well as biographies of all the WW’s female artists whose details could be traced.