This month’s artwork has a double aspect. Primarily, it is a piece of design consisting of white porcelain plates, dishes and cups. Yet it is also a black and white photograph that depicts the set, highlights its qualities, and advances its presentation. It is an example of co-operation between the designer Ladislav Sutnar (1897–1976) and the photographer Josef Sudek (1896–1976). The two collaborated on many images depicting and advertising Sutnar’s porcelain sets, glassware or cutlery. While this article pays attention to the role of photography in communicating design, its main focus is the porcelain set. What is of particular interest is the place it occupied between commerce and art in the attempt to elevate the aesthetic standards of a regular Czechoslovak home.
We are pleased to announce that Professor Megan Brandow-Faller (City University of New York) and CRAACE research fellow Julia Secklehner have been awarded an events grant from the Botstiber Foundation for Creativity from Vienna to the World, an online project that includes lectures, a blog and an online exhibition. The project connects aspects of design and women’s history, pedagogy, migration history and cultural transfer to trace the achievements of migrant women designers who moved to the United States from Central Europe in the first half of the twentieth century.
Built in 1928 on one of the slopes of Zlín’s hilly and quite bare landscape, the family home of Berty and Fanuška Ženatý became known as The American House. It was a replica of a house that the couple owned in the United States, where they had lived and worked for a few years. The villa was rebuilt in the new location upon the wish of the manufacturer Tomáš Baťa (1876–1932) for whom it was meant to serve as a model house that could be easily replicated for the employees of his factories.