Our Artwork of the Month in April 2020 was Columbus in der Slovakei (1936), a cultural travel guide by Leopold Wolfgang Rochowanski (1888–1961) that introduced Slovak modern art, architecture and, mainly, folk culture to the unaware German-speaking reader. This post is a follow-up: though Columbus was a financial disaster, and almost drove its publisher EOS-Verlag into ruin, Rochowanski pursued the idea of publishing more travel guides of the same sort. Writing to various institutions and government agencies across Europe, he proposed travel guides to the Czech Lands, the Sudetenland, Austria, and the Netherlands in the late 1930s, all of which were rejected amid growing political tensions and a dire economic situation. However, the author eventually succeeded after the Second World War, publishing a cultural travel guide to Austria with the Österreichische Buchgemeinschaft (Austrian book club) in 1949. At this point Austria, whose population had eagerly supported National Socialism, yearned to reinvent itself in an effort to overcome the past, and officials such as Chancellor Karl Renner focused on promoting an Austrian identity that was separate from that of Germany. Against this background, Rochowanski’s second travel guide, Unser Land mit unsern Augen (Our Land with our Eyes), shows that the theme of continuity and rupture, which the CRAACE project focuses on around 1918, recurred around the historical break of 1938–1945. Given that the book had already been written in 1938 but was only published later, as its epilogue reveals, it raises some important questions about new beginnings and a lingering past, which bring to light striking continuities in Austria before and after 1945.
In times of travel bans and with a tourism industry at standstill, one is forced to look for alternative ways of discovery. April’s Artwork of the Month relates to this issue: Columbus in der Slovakei is a cultural travel guide to Slovakia, written for a German-speaking audience yearning to ‘discover and to unearth, to carry back home unlosable treasures of joy’ (9). Almost six hundred pages strong and including over four hundred illustrations and photographs, the publication was instigated, arranged and designed by the Viennese writer, artist and publisher Leopold Wolfgang Rochowanski (1888-1961), and published in 1936 by the German-language publisher Eos in Bratislava. Though widely advertised in the Austrian and Prague German radio and press, including praise by Thomas Mann, it should be noted in advance that the commercial success of the publication was disastrous and almost led its publisher into financial ruin, not least due to the high price caused by the design specifications.