Periodization in the Art Historiographies of Central and Eastern Europe is a new volume edited by Shona Kallestrup, Magdalena Kunińska, Mihnea Alexandru Mihail, Anna Adashinskaya and Cosmin Minea and published by Routledge. It is now available open access and includes essays by CRAACE researchers Matthew Rampley and Julia Secklehner, as well as many other fascinating contributions.
The upcoming issue of the Austrian History Yearbook features an article by CRAACE research fellow Julia Secklehner. Now available to read in full open access on the journal’s website, A New Austrian Regionalism: Alfons Walde and Austrian Identity in Painting after 1918 assesses the role of regionalism in interwar Austrian painting with a focus on the Tyrolean painter and architect Alfons Walde (1891–1958).
In the autumn of 2018, the Museum of Art in Olomouc staged the exhibition Years of Disarray 1908-1928: Avant-Gardes in Central Europe. It was subsequently staged at the International Centre in Cracow, the Bratislava City Art Gallery and finally the Janus Pannonius Museum in Pécs. It was an ambitious and imaginative exhibition, but initially no catalogue was available, only a short inexpensive guide. Now, after some delay, the full exhibition catalogue has been published, in handsome Czech and English-language editions. In its scale and scope – nearly 700 pages in length and with hundreds of images – the volume is not merely meant as an aid to the exhibition, but as a standard work of reference on central European modernism. In fact, although ostensibly based on the exhibition, it is only loosely connected to it; one loses sight of the original exhibition themes and structure due to the many essays on entirely unrelated topics. It therefore is best treated as standalone publication.