Milada Maresova Charity Bazaar

Interview about Milada Marešová with Marta Filipová

CRAACE research fellow Marta Filipová has been interviewed about the painter Milada Marešová (1901–1987) on the Czech national radio channel ČRo Dvojka. You can listen to the radio programme here.

The radio series Osudové ženy introduces remarkable women of Czech history to wider audiences, and has featured not only the life and work of female politicians, writers, sportswomen, and actresses, but also the artists Mary Duras (1884–1982) and Vlasta Vostřebalová-Fischerová (1898–1963). Each programme combines period recordings, dramatizations by actors, and studio discussions with specialists.

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Milada Marešová, A Bride with a Cigarette

Artwork of the Month, December 2020: Bride with a Cigarette by Milada Marešová (1933)

Sitting in a full, white dress in front of a brick wall and a grove of cypress trees, a bride is looking straight out of the painting at the viewer. At first glance, she is not a typical bride. Although she wears more traditional long gloves, and clutches a fan in one hand, her veil is falling slightly from her head and reveals prominent red hair which contrasts with her greenish skin. We can only imagine that under the veil she has a bubikopf, a haircut typical for the ‘new woman’ look. Her face and expression dominate the painting. Her remarkable, raised eyebrows and bright red lips add to the defiant look she is casting. Yet most striking of all is the cigarette the bride is holding in her right hand.

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Žilina synagogue designed by Peter Behrens

Artwork of the Month, November 2020: The Neolog Synagogue in Žilina by Peter Behrens (1928–31)

In May 2017 a new art exhibition and concert venue opened in the Slovak town of Žilina. The result of a six-year restoration project that had been partly crowd-funded and also partly funded by the EU, the Slovak government and the town council, the building won a number of awards on the basis not only of the quality of the restoration but also for its mobilisation of grass-roots support and funding. Just around the corner from the Puppet Theatre and the substantial municipal theatre, the new centre provided a valuable addition to the cultural life of the provincial town, located some 200 kilometres northeast of Bratislava. The organisation that manages the centre, Truc Sphérique, also organises cultural events in the Stanica Žilina-Záriečie, in the town’s still operational railway station, and provides an instructive example of the productive regeneration of sites as cultural venues.[1]

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Mucha

Mucha for the 21st century: Exhibition review

Two prominent art institutions in Prague are currently hosting two exhibitions of Alfons Mucha that try to place his work in a contemporary context. Although having the same curator, Karel Srp, they take seemingly different approaches. They, nevertheless, share the question as to whether Mucha is relevant today and if so, why and how and in what format his work might best exhibited.

Alfons Mucha (1860-1939) was a renowned graphic artist, applied arts designer, photographer and painter who spent his life partly in Paris, the USA and Bohemia. He is mostly famed for a variety of posters that promoted and advertised a wide range of lush, fin-de-siècle products: drinks, cigarettes, perfumes as well as the theatrical performances Paris based actress Sarah Bernhardt (1844–1923). His oeuvre, however, also included painting, again in a wide range of genres from portraits to murals; as well as photography and design of household items, such as vases, candle sticks and furniture.

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