Max Dvořák and the Vienna School of Art History

To mark the 100th anniversary of the death of Max Dvořák the Institute of Art History of the Czech Academy of Sciences in Prague is staging a conference in 2021 on the legacy of the Vienna School of Art History. Click here for the call for papers.

Max Dvořák (1874-1921) was a pioneer of what has subsequently been referred to as ‘art history as the history of ideas’ (Geistesgeschichte). Where art historians had previously been primarily concerned with the evolution of art’s formal languages (the history of style) or with purely factual information about the production of artworks and the lives of the artists who made them, Dvořák sought to anchor the interpretation of artworks in an understanding of the broader cultural and intellectual currents of their time. He stopped short of espousing a social history of art, but he certainly saw the importance of cultural history for the analysis of works of art. Dvořák has since been criticised for relying too much on vague generalisations about the history of ideas as the background to art, but there is no denying that his essays and lectures, especially those published posthumously in the volume Art History as the History of Ideas (Munich, 1924), were enormously influential on younger generations of art historians, who sometimes argued with each other over how best to preserve his legacy.

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CFP: Future Prospects for Art History in Central Europe: Questions, Methods, Topics

CALL FOR PAPERS

Future Prospects for Art History in Central Europe: Questions, Methods, Topics

A workshop organised at Masaryk University, Faculty of Arts, Department of Art History

 on 17-18 June 2020

 What are the most prominent and important issues motivating art historians in east-central Europe at present? Are they methodological? Political? Thematic? Curatorial / museological? Conceptual? Or are they to do with debates relating to a particular period or geographical question?

This workshop is intended to provide a forum for considering answers to that question and for an assessment of the current state of art history in east-central Europe. Its aim, too, is to identify one or more potential projects that might give art historical practice in east-central Europe a higher profile and underpin an application for a European Research Council synergy grant (https://erc.europa.eu/funding/synergy-grants).

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Conference report: Multiplying Modernity: Vernacular Modernisms, Nostalgia and the Avant-Garde

The second CRAACE conference, ‘Multiplying Modernity: Vernacular Modernisms, Nostalgia and the Avant-Garde’, took place in the East Slovak Gallery, Košice, from 6 to 7 December 2019 and examined the roles of folk art, the vernacular and regionalism in interwar East/Central European modernism. The conference programme can be accessed here.

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Multiplying Modernity: Workshop Schedule and Information

Our workshop Multiplying Modernity: Vernacular Modernisms, Nostalgia and the Avant-Garde will take place in Košice on 6 and 7 December 2019.

The schedule which includes the names of the speakers and titles of their papers can be downloaded here: Multiplying Modernity Workshop Schedule

The workshop is free to attend, but you need to register. Click here for the registration form.

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Conference report: In the Shadow of the Habsburg Empire?

The first CRAACE conference, ‘In the Shadow of the Habsburg Empire? Art and Architecture in Interwar Central Europe’, took place in the Moravian Gallery, Brno, from 12 to 14 September 2019. With three keynote speakers, five sessions and fifteen papers, the event explored the topic of continuities and ruptures in post-Habsburg Central European art history from several angles, sparking many engaging discussions. This brief report below can only highlight a few of the wider topics that emerged in the course of the three days. (The conference programme can be accessed here.)

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