Relationship status: it’s complicated. Summarised in the vernacular of the virtual age, Austrian-Czech relations have long been characterised as uneasy, bolstered by a range of stereotypes established across the past centuries – the Czech as the beer-swelling yokel ‘Václav’, the Austrian as the kaisertreu snobbish brute, or a country bumpkin with right-wing sentiments. Rather than to divulge in these exaggerated characterisations any further – which are often malicious, sometimes humorous, and occasionally contain a grain of truth – Neighbours: An Austrian-Czech History Book draws attention to the joint history of the two countries in a decidedly more positive light.
In 1927 Kurt Tucholsky published a poem called Das Ideal (The Ideal), in which he pieces together a fantastic wish list for his life including all the money in the world, an endless, but harmless stream of food and alcohol, and his desired apartment. The latter let him see the Alps in the backyard, and Berlin’s Friedrichstraße in the front, with tight-lipped servants, a rooftop tree garden, and 2 ponies, 4 stallions, 8 cars and a motorcycle in the barn. That is what the new Reader in East-Central-European Modernism 1918–1956 edited by Beáta Hock, Klara Kemp-Welch and Jonathan Owen and published online by the Courtauld Institute achieves: an easily accessible resource for an international audience that will serve as an essential point of reference for students and scholars of the field. Bringing together and translating 27 wide-ranging essays, written in Czech, Slovak, Polish or Hungarian, and not available in English before, is a great achievement. The publication was born out of a course on central European modern art and culture in the MA programme at the Courtauld Institute of Art in London. Whereas there were some anthologies of primary sources, which still could be expanded on in the future, there was simply not a sufficient quantity of secondary literature available for the student. In contrast to the plethora of studies on German or Soviet art in the interwar period, there is still to this day a lack of easily accessible English articles on interwar Czech, Hungarian, or Polish art. This new reader makes good that lack, and the editors should be praised highly for their efforts; there are indeed many stallions in the stable.
CALL FOR PAPERS
Future Prospects for Art History in Central Europe: Questions, Methods, Topics
A workshop organised at Masaryk University, Faculty of Arts, Department of Art History
on 17-18 June 2020
What are the most prominent and important issues motivating art historians in east-central Europe at present? Are they methodological? Political? Thematic? Curatorial / museological? Conceptual? Or are they to do with debates relating to a particular period or geographical question?
This workshop is intended to provide a forum for considering answers to that question and for an assessment of the current state of art history in east-central Europe. Its aim, too, is to identify one or more potential projects that might give art historical practice in east-central Europe a higher profile and underpin an application for a European Research Council synergy grant (https://erc.europa.eu/funding/synergy-grants).
The second CRAACE conference, ‘Multiplying Modernity: Vernacular Modernisms, Nostalgia and the Avant-Garde’, took place in the East Slovak Gallery, Košice, from 6 to 7 December 2019 and examined the roles of folk art, the vernacular and regionalism in interwar East/Central European modernism. The conference programme can be accessed here.
The first CRAACE conference, ‘In the Shadow of the Habsburg Empire? Art and Architecture in Interwar Central Europe’, took place in the Moravian Gallery, Brno, from 12 to 14 September 2019. With three keynote speakers, five sessions and fifteen papers, the event explored the topic of continuities and ruptures in post-Habsburg Central European art history from several angles, sparking many engaging discussions. This brief report below can only highlight a few of the wider topics that emerged in the course of the three days. (The conference programme can be accessed here.)