In 1984 the Czech Institute of Art History commenced publication of a multi-volume history of Czech art from prehistory to the present. It was a massive undertaking, a comprehensive survey that was not completed until 2007, when the final two volumes on art since 1958 appeared. It represented a particular central European tradition in academic publishing, but as with many other such projects, its drawbacks were all too evident. During the 23 years of its gestation, art historical methods had changed considerably, especially given the ideological shifts brought about by the collapse of Communism. In addition, the break-up of Czechoslovakia in 1993 meant that the meaning of ‘Czech art’ was no longer the same, and the later volumes could be seen as part of the self-redefinition of the new Czech Republic. Despite such caveats, it was still a major work of reference, but it was hampered by one single factor: it was only published in Czech. For linguistic reasons alone, therefore, its potential impact was limited.
Following the collapse of the Austro-Hungarian Monarchy, the brand new state of Czechoslovakia was founded on 28 October 1918. Unifying several provinces with no previous historic connections – Bohemia, Moravia, Czech-speaking Silesia, Slovakia and Subcarpathian Ruthenia -, it was a multiethnic state that nevertheless sought to construct a single, encompassing national identity for its citizens. On the occasion of the 100th anniversary, Dr Marta Filipová, a member of the CRAACE team, has written an article about the complex identity politics of Czechoslovakia for the University of Birmingham website. Read it here.