On 25th January 2019 the Belvedere Museum formally opened its exhibition City of Women: Female Artists in Vienna, 1900-1938. The exhibition continues until 19th May. Presenting the work of no fewer than 53 women artists, it is an ambitious project that builds on and extends earlier exhibitions by the Belvedere; despite the unpromising title, The Women of Klimt, Schiele and Kokoschka (2015-16), for example, was a serious examination of the painters’ oeuvre in the context of changing gender identities and discourses of femininity.
Gustav Klimt remains undoubtedly the best known artist from Vienna and, along with Egon Schiele, Otto Wagner and Koloman Moser, largely defined the public image of Vienna as a centre of modern art, design and architecture. Yet his fame has also been a problem, completely overshadowing the many other artists active in the Austrian capital in the early twentieth century. Worse, still, his death in 1918, which coincided with those of Schiele, Wagner and Moser, seemed to symbolise the artistic and political demise of Vienna.